Monday, December 10, 2012

Writer stares with glassy eyes; defies the empty page


The email I was half-expecting came last week: Unclaimed, a short story that I had previously sent out under another name, was rejected by Lightspeed Magazine.

The email was cordial enough, considering it was a standard form rejection—as if the editor was worried about hurting my feelings. He didn't have anything to worry about there. I don't think rejections are a sad thing, at all. In fact, the way I see it, a rejection should be celebrated.

They are not indications that you are not good enough. They are not suggestions that you should give up, at all. They're just an acknowledgement that whatever piece of writing you submitted is not suitable for that outlet—whether it didn't strike a chord with the editor or won't fit within the genre.

Rejections are a sign of two things: first, that you have something in common with every other writer who has ever taken quill to ink, pencil to paper, or finger to keyboard.

Second, they are proof that you are out there trying. Both of those things are important to keep in mind, particularly during the early part of your writing career, which can be an exercise in loneliness and futility. It takes as much time to find your audience as it does to find your voice.

I was expecting the rejection of Unclaimed. I wasn't all that happy with it when I sent it out. That may sound like a self-imposed justification now, but it's the truth. I had to cut so much out of it to meet the word count that a good portion of the character and back story had to be sacrificed. As a result the narrative was choppy, the characters undeveloped. I probably would have passed on it, too.

So why send it, when even I didn't think it was good enough? To get things circulating, I guess. A quick rejection from that magazine meant it was okay to send out the longer, better, version elsewhere. Plus, it had been a while since I submitted anything, and I thought I could benefit from a renewed sense of focus.

I think I'm right on both accounts. Keegan, the main character in 'Unclaimed' is a series character. I've only written a few of his short tales, so far, and have only begun to sketch the outline for his life's story in my head—and I already feel sorry for the poor guy. He may make it to his happy ending, but I don't think any of his friends will survive to enjoy it with him.

In the meantime, I will keep plugging away, working at his character and others, undaunted by the little bumps along the way. That's good advice no matter who you are or what you're pursuing: whether it's being published, finding a new job or connecting with your future husband or wife. Keep it up. There are plenty of obstacles in life. You don’t have to be one of them.